Blog Tour, Guest Post, Silver Dagger

Frankenstein and Serengeti: Monster and Machine/ JB Rockwell (Serengeti)

 

OK, so you’re probably looking at the title of this post and scratching your head. How can a sci-fi story about a wrecked AI warship possibly have anything in common with one of the most famous horror stories of all time?

Good question. I didn’t get it at first, either. But a passing comment from a reader about the similarities between SERENGETI and Mary Shelley’s FRANKENSTEIN got me thinking. A little reading and a little research, and I started seeing the similarities, too.

Keep reading. I’ll step you through my thought process. There’s a comment box at the end where you can let me know what you think…

 

Disclaimer: I am in no way comparing myself, my writing, or the quality of my work to Mary Shelley. I’m proud of my little book, but not arrogant. Also, I’ve tried to keep this as spoiler free as possible, but if you haven’t read SERENGETI yet, proceed with caution!

 

The Ghost in the Machine

Serengeti drifted in darkness…Time had no meaning in that in-between space…but she never stopped being Serengeti. Never lost that sense of being Valkyrie and not just some broken down ship.
​— Excerpt from SERENGETI

 

So, let’s start with the obvious observation: Serengeti  and Frankenstein’s monster are both AI.

Boom! Didn’t see that coming, now, did you?

Granted, Franky’s creepiness is organic—a jump-started corpse brain, stuffed into a stitched-together vessel, made of dead body parts—not crystal matrix and composite metal like Serengeti. Organic or not, it’s still artificial. A dead thing reanimated, given life through a rather…vague and ambiguous process, involving both alchemy and chemistry. 

 

I began the creation of a human being…for the sole purpose of infusing life into an inanimate body…but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart…I beheld the wretch–the miserable monster whom I had created…the demoniacal corpse to which I had so miserably given life…
— ​Excerpt from FRANKENSTEIN

 

Frankenstein, National Theatre Live

“Wretch.” “Monster.” “Demoniacal corpse.” Dr. Frankenstein set out to create a human being but recoils in horror at the ‘thing’ that results from his experiments. Despite its intelligence, its eloquence, its attempts to fit in, humanity never accepts Frankenstein’s reanimated offspring as anything more than a monster: an ‘it,’ a ‘thing.’

Fast forward several hundred years to Serengeti’s timeline and nothing’s changed. Human engineers create super-powered brains and load them into heavily armed warship chassis. And yet they still view them as inferior: creations, not living beings. 

 

AI—artificial intelligence, all mind, no soul. The designers insisted power, function didn’t equate to life. But Serengeti disagreed. I think. I eat. I touch and see. Tell me I’m not alive. Tell me just because I’m AI I don’t have a soul. 

Not life as biology defined it maybe, but AI life was every bit as pure and true as the frozen lives sleeping inside Cryo. — ​Excerpt from SERENGETI

 

Questions of sentience and being arise. Can an artificial intelligence ever truly be alive? Can it have a soul, an identity? Can AI—no matter how powerful or intelligent—ever truly think, and feel, and experience the world like their human creators? Or is it all just emulation? 

 

…humans still didn’t quite trust AIs. Funny, considering human engineers designed every last one of them, making them stronger, more capable with each generation. Humans built AIs and wrapped them inside armored shells they launched into the stars, but they still wanted human crews on board those space-faring ships. Human minds and human judgment as a counter—or perhaps a foil—to ship’s intelligence. — Excerpt from SERENGETI

 

It’s interesting, seeing readers make these types of connections; spotting symbolism and parallelism in other works that aren’t obvious influences. That’s the cool thing about books: they take on a life of their own once readers get involved.

This brings me to the next part of this discussion: a more…intimate analysis. This is a more compelling consideration of SERENGETI in context with FRANKENSTEIN

 

The Dreaming Mothers

…my dreams were all my own; I accounted for them to nobody; they were my refuge when annoyed—my dearest pleasure when free. — Excerpt from Mary Shelley’s Introduction to 1831 edition of FRANKENSTEIN​

 

Many people know that Mary Shelley wrote FRANKENSTEIN after Lord Byron threw down a challenge to write a ghost story. And that, among its many themes and motifs, FRANKENSTEIN is commonly understood as a fable of masculine reproduction. What is not as well-known, is that Mary Shelley wrote FRANKENSTEIN while pregnant herself, having already suffered a miscarriage, resulting in the death of her first child.

So, Mary Shelley wrote a ghost story about a reanimated corpse—OK, technically several corpses, since Victor Frankenstein used parts harvested from multiple dead bodies to create his creature—while pregnant and mourning the loss of a child.

That’s seriously creepy. So creepy, in fact, that it haunted her dreams. 

​19 March 1815 Dream that my little baby came to life again—that it had only been cold & that we rubbed it before the fire & it lived.—Excerpt from Mary Shelley’s Journal 1814-1844 vol. 2

 

So, right about now you’re wondering what any of this has to do with a sentient AI warship. Vessels can’t get pregnant, after all. 

 

(sure they can have bebbies) Moya and baby Talyn, Farscape


True. But consider Serengeti’s relationship with her crew: The loyal little robots fixing her as best they can, harvesting parts from their own bodies–another ironic nod to Frankenstein’s monster–to keep Serengeti alive; Henricksen, Finlay, and the other humans depending on her to protect them. Consider that this advanced artificial intelligence learns to dream, and feel, and experience emotions develops a fondness for the fragile human life forms inside her. This is a protectiveness every bit as real as that of any biological mother. 

Cryo hadn’t gone anywhere, it was right here where they’d left it, squatting inside her decimated innards like some oversized egg, waiting patiently to be born.–Excerpt from SERENGETI​

 

​An aborted launch, trapping an egg-like “Cryo” inside Serengeti, wrapped around her cryogenically frozen crew. The crew protected inside her, sleeping while Serengeti dreams.

 

She tried to grab hold of them but the dream trickled away from her, robbing her of her crew, taking the blood and smoke, the broken robots and burnt corpses with it, leaving Serengeti alone once more.
​–Excerpt from SERENGETI

 

Two mothers, dreaming in reverse. Both carrying life in their bellies; both dreaming of death, before finally letting go; taking solace in the memories that remain.

 

Frankenstein, National Theatre Live

And now, once again, I bid my hideous progeny go forth and prosper, I have an affection for it, for it was the offspring of happy days.–Excerpt from Mary Shelley’s Introduction to 1831 edition of FRANKENSTEIN

That’s how they came to Cryo—laughing, not crying, not trundling in silence like the sad little robots that left Engineering. And that’s how Serengeti wanted it, if this was truly to be the end. That their last memories be joyous ones before they slipped into the dark.–Excerpt from SERENGETI

 

So, there you have it; AI and motherhood—two themes tying SERENGETI and FRANKENSTEIN together.. I find it fascinating—amazing, actually, that a horror story about a stitched-together, human-shaped monstrosity, could have anything in common with my sleek-sided, sentient AI warship. And flattering that someone would pick up my little book and make connections to a masterpiece like FRANKENSTEIN.

Question is: What do you think? Drop me a comment. I’m really interested to hear what you have to say… 

1 thought on “Frankenstein and Serengeti: Monster and Machine/ JB Rockwell (Serengeti)

Leave a Reply